Humanities Moments

Humanities Moments

We’ve all had “humanities moments” — when our lives were made richer, more poignant, and meaningful because of the insights the humanities provide.

P.O.W. Poetry in Code

Contributed by W. Robert Connor, trustee emeritus, President and Director, of the National Humanities Center (1989-2002)
Captain John Borling, 1973

Description

In the Hanoi Hilton, the place where the North Vietnamese imprisoned and often tortured American captives during the Vietnam War, the US prisoners used a tapping code to communicate with one another. But they didn’t just send conversational messages, they tapped out poetry, reciting from memory some of the favorites they remembered from school and composing new poems to lift their spirits. Their captors would not allow them to speak to one another. But they didn’t notice the tapping — or didn’t understand what it was about.

Here’s the code they used. It breaks the alphabet into five lines, each with five letters in it. So any letter (forget about K) can be conveyed through two sets of taps. A is 1, 1; Z is 5, 5 (K is either C or 2, 6). The code’s five lines are:

  • Line One: A B C D E
  • Line Two: F G H I J
  • Line Three: L M N O P
  • Line Four: Q R S T U
  • Line Five: V W X Y Z

Captain John Borling was one of those captives, and the poems he composed as a P.O.W. were shared and memorized by his fellow prisoners. And, after Borling returned to the States after the war, his poems were pubished in Taps on the Walls: Poems from the Hanoi Hilton.

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About this Moment

Title

P.O.W. Poetry in Code

Subject

Borling’s poetry, composed in the most oppressive of conditions, demonstrates how the arts and humanities are essential to the human spirit and give evidence to the shared human impulse to make sense of our lives in words and through creative expression.

Description

In the Hanoi Hilton, the place where the North Vietnamese imprisoned and often tortured American captives during the Vietnam War, the US prisoners used a tapping code to communicate with one another. But they didn’t just send conversational messages, they tapped out poetry, reciting from memory some of the favorites they remembered from school and composing new poems to lift their spirits. Their captors would not allow them to speak to one another. But they didn’t notice the tapping — or didn’t understand what it was about.

Here’s the code they used. It breaks the alphabet into five lines, each with five letters in it. So any letter (forget about K) can be conveyed through two sets of taps. A is 1, 1; Z is 5, 5 (K is either C or 2, 6). The code’s five lines are:

  • Line One: A B C D E
  • Line Two: F G H I J
  • Line Three: L M N O P
  • Line Four: Q R S T U
  • Line Five: V W X Y Z

Captain John Borling was one of those captives, and the poems he composed as a P.O.W. were shared and memorized by his fellow prisoners. And, after Borling returned to the States after the war, his poems were pubished in Taps on the Walls: Poems from the Hanoi Hilton.

Creator

Borling, John L.

Source

Taps on the Walls: Poems from the Hanoi Hilton

Contributor

W. Robert Connor, trustee emeritus, President and Director, of the National Humanities Center (1989-2002)

Identifier

w-robert-connor-poetry-in-code

Location

Collection

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