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30
3
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http://humanitiesmoments.org/files/original/3/25/burns-still-credit.jpg
ad302aa7a2513e15fcd97f205a98f502
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ken Burns, documentary filmmaker
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ken Burns
Description
An account of the resource
This collection includes contributions by the renown filmmaker Ken Burns.
Identifier
An unambiguous reference to the resource within a given context
ken-burns-humanities-moments
Moving Image
A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.
Player
html for embedded player to stream media content
<iframe width="640" height="360" src="https://player.vimeo.com/video/263519199" frameborder="0" webkitallowfullscreen="webkitallowfullscreen" mozallowfullscreen="mozallowfullscreen" allowfullscreen="allowfullscreen"></iframe>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Day My Interest in Race in America Was Born
Description
An account of the resource
In this video submission, Ken Burns recounts how formative experiences, both deeply personal and as a young person growing up in the midst of the Civil Rights era, have shaped his perspective on American history and have informed nearly all his documentary projects.
Trying to make sense of his own individual story within the nation’s collective reckoning with race, Burns reflects on how “we human beings seek always to find some frame to understand things.” The humanities, he continues, facilitate our finding “some meaning in it all precisely because of our inevitable mortality.” He believes that the work of history, particularly biography, helps us to organize our stories, and perhaps even to divine “the way that human beings are.” Whether unsettling or inspirational, history always proves useful.
Date
A point or period of time associated with an event in the lifecycle of the resource
1963
Contributor
An entity responsible for making contributions to the resource
Ken Burns, documentary filmmaker
Identifier
An unambiguous reference to the resource within a given context
ken-burns-race-in-america
Civil Rights Movement (United States)
Documentary Films
Families
Filmmakers
Mortality
Newark, Delaware
Prejudices
Race Relations
Segregation
United States History
-
http://humanitiesmoments.org/files/original/3/24/ken-burns-1800.jpg
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ken Burns
http://humanitiesmoments.org/files/original/3/24/young-lincoln.jpg
595930a8dd36baa2e081af7fdcdaaa31
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ken Burns
Description
An account of the resource
This collection includes contributions by the renown filmmaker Ken Burns.
Identifier
An unambiguous reference to the resource within a given context
ken-burns-humanities-moments
Moving Image
A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.
Player
html for embedded player to stream media content
<iframe width="640" height="360" src="https://player.vimeo.com/video/263519438" frameborder="0" webkitallowfullscreen="webkitallowfullscreen" mozallowfullscreen="mozallowfullscreen" allowfullscreen="allowfullscreen"></iframe>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Why We Always Come Back to Abraham Lincoln
Description
An account of the resource
Ken Burns describes how lines from a historic speech given by 29-year-old Abraham Lincoln have “haunted and inspired” him for nearly 40 years. Expanding on what is revealed in those sentences, Burns discusses how they speak not only to Lincoln’s basic character and optimism, qualities that proved essential to his presidency. He goes on to note that Lincoln’s words, here and elsewhere, are suggestive of what is best in the American character.<br /><br />“A handful of sentences” from Lincoln’s 1838 Springfield speech on national security left a deep imprint on the filmmaker’s own philosophy. For Burns, Lincoln’s narrative illustrates how, as a nation, we are “still stitched together by words and, most important, their dangerous progeny, ideas.” Time and again, Lincoln’s eloquence and vision has guided Burns as he enlists documentary film to tell the story of the United States and its citizens.
Contributor
An entity responsible for making contributions to the resource
Ken Burns, documentary filmmaker
Identifier
An unambiguous reference to the resource within a given context
ken-burns-abraham-lincoln
Source
A related resource from which the described resource is derived
Abraham Lincoln's 1838 speech on national security delivered in Springfield, Illinois
American Speeches
Civil Rights Movement (United States)
Documentary Films
Filmmakers
History
Liberty
Lincoln, Abraham
National Security
Optimism
Oratory
Presidents of the United States
Slavery
Springfield, Illinois
United States History
-
http://humanitiesmoments.org/files/original/3/23/burns-america-huey-long-200.jpg
a7944704b0c8945ea7d64d25beb80035
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
from Ken Burns' "America"
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ken Burns
Description
An account of the resource
This collection includes contributions by the renown filmmaker Ken Burns.
Identifier
An unambiguous reference to the resource within a given context
ken-burns-humanities-moments
Moving Image
A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.
Player
html for embedded player to stream media content
<iframe width="640" height="360" src="https://player.vimeo.com/video/263519382" frameborder="0" webkitallowfullscreen="webkitallowfullscreen" mozallowfullscreen="mozallowfullscreen" allowfullscreen="allowfullscreen"></iframe>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Answering the Question “Who Are We?”
Description
An account of the resource
In this short video, documentary filmmaker Ken Burns recalls having Robert Penn Warren read a passage from his novel <em>All the King’s Men</em> during the production of the Huey Long portion of his documentary series “Ken Burns’ America.” He notes that it is voices like Warren’s that have helped animate his work, bringing to life his own journey and that which he has tried to share through his films.<br /><br />For Burns, this particular passage from <i>All the King’s Men</i>—about dirt, creation, and man’s place and purpose on Earth—is a “wonderfully existential statement” that excavates the “emotional archaeology” of humanity. Warren’s writing serves as a compass that can help navigate what Burns calls “the specific gravity of our own self-destructive impulses.” In spite of the diverse range of his film topics, they are all united by a simple question: as Americans, who are we?
Date
A point or period of time associated with an event in the lifecycle of the resource
1986
Contributor
An entity responsible for making contributions to the resource
Ken Burns, documentary filmmaker
Identifier
An unambiguous reference to the resource within a given context
ken-burns-who-are-we
Source
A related resource from which the described resource is derived
<em>All the King's Men</em> by Robert Penn Warren
All the King's Men
Books & Reading
Documentary Films
Filmmakers
History
Literature
Long, Huey
United States History
Walpole, New Hampshire
Warren, Robert Penn