1
30
2
-
https://humanitiesmoments.org/files/original/87/effects-near-history-960x590.jpg
0ed654ddc1b7046cc65e5c267c54f3b6
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Middle East
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Witnessing the Effects of Near-History in Iraq
Description
An account of the resource
I was a newspaper reporter covering the War in Iraq in the late 2000s. My assignment was exciting, but often lonely. I bounced from town to town, usually embedded with the U.S. Army. At the end of a long day, there often was no one to talk to, grab a bite with or even watch a bootleg movie. What I did have, though, was a paperback copy of <em>The Great War for Civilization</em> by Robert Fisk. The book helped describe the near-history events that led to the real-time history I was witnessing on a daily basis. Through thorough research and masterful storytelling, I could better understand how an event decades earlier would reverberate throughout the entire region, setting the stage for what I was witnessing: more than 100,000 American troops trying to hold together a country that had fallen apart, creating a proxy war that drew in interests from the entire region. What I was witnessing firsthand provided the color, but the book added depth of understanding.<br /><br />I did not start my assignment as a Middle East or Iraq expert; rather, my expertise lay more in knowledge of the U.S. military. The book provided a crash course in how the region got to where it was at that point, and it made an indelible impression on my understanding of the Middle East.
Subject
The topic of the resource
I did not start my assignment as a Middle East or Iraq expert; rather, my expertise lay more in knowledge of the U.S. military. The book provided a crash course in how the region got to where it was at that point, and it made an indelible impression on my understanding of the Middle East.
Source
A related resource from which the described resource is derived
<em>The Great War for Civilization</em> by Robert Fisk
Creator
An entity primarily responsible for making the resource
Robert Fisk
Date
A point or period of time associated with an event in the lifecycle of the resource
2008
Contributor
An entity responsible for making contributions to the resource
Scott, 34, former journalist
Identifier
An unambiguous reference to the resource within a given context
witnessing-effects-near-history
Armed Forces
Fisk, Robert
History
Iraq War (2003-2011)
Journalism
The Great War for Civilization
The Middle East
Writers
-
https://humanitiesmoments.org/files/original/18/456/sword_in_chicago.jpg
8751541ff0056b79f4f6507baf64ca1a
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Sword in Chicago
Identifier
An unambiguous reference to the resource within a given context
sword-chicago
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Graduate Student Residents 2021
Identifier
An unambiguous reference to the resource within a given context
graduate-student-residents-2021
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Referrer
For internal use only, for tracking and metrics.
National Humanities Center
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Contributor
An entity responsible for making contributions to the resource
Thomas Morin, 32, Historian
Date
A point or period of time associated with an event in the lifecycle of the resource
2012
Source
A related resource from which the described resource is derived
A visit to the Metropolitan Museum of Art
Description
An account of the resource
It was not my first time in The City, but it was my first time visiting the Met. The Metropolitan Museum of Art's reputation stretched out wide before it for a young man from the West Coast. I had long been interested in art, and I knew that the Met had one of the best collections in the world. I had missed a previous opportunity to go a few years back, and I wasn't going to do so again. My sister, a friend, and I took a train up to Fifth Avenue, and soon were outside the museum's broad, colonnaded entrance.
My interest in the medieval period had only recently begun at that point. When I saw in the catalogue that the museum had an extensive collection of European arms and armor, I couldn't resist. We walked through the classical Egyptian section, admiring the tiny-carved Lapis lazuli figures. We paused for pictures amid the ruins of the Temple of Dendur, which stood in the middle of a small reflecting pool. Beyond that, we finally entered the arms and armor section.
Amid all the impressive examples of late medieval and early-modern craftsmanship, one piece in particular stood out to me. It was a large sword with a broad, angular blade (see attached picture of the same sword in the Art Institute of Chicago, where it was on loan in early 2020). The surface, while pitted slightly, was remarkably unmarred and smooth other than an inscription near the hilt written in Arabic. The sword as a whole had a simple elegance. Though the crossguard had little horn-like curls at the ends, it was otherwise unadorned. It had the appearance of a practical tool, precise and deliberate. It looked heavy but somehow also quick.
I was intrigued. I began asking all sorts of questions about the sword: Where had it come from? Who made it? Why was there an Arabic inscription on what was clearly a western European sword? Searching for those answers gave me my first taste of the interconnected Mediterranean world which would later become my obsession. The sword is thought to have been made in Italy, either in Brescia or Milan. From there, it was taken to the isle of Cyprus, at the time ruled by the Lusignan Kings, successors to the long-lost Crusader States. Then, sometime around 1419, it was presented as part of a diplomatic gift from Cyprus (along with many other weapons) to Sultan Shaykh al-Mahmudi, whose name is contained in the inscription. The sword, and many others like it, are one of many pieces of physical evidence for the extensive networks of connection which joined the various corners of the Mediterranean together in the medieval and early-modern world.
Though I have never handled the original (or its twin, rediscovered in Texas in 2014 by Sotheby's), I have had the opportunity to handle a modern reproduction which was made based on detailed measurements and mimics the sword almost exactly. It is a marvel of engineering. The sword's geometry and design makes it wonderfully balanced, so that, though it weighs almost 4 lbs (which is very heavy for a sword of this type), it feels light enough to wield in one hand. The tremendous skill which would have gone into the design and fabrication of that weapon made me question my received wisdom about the superiority of the modern world, and eventually to question the very meaning of "modern" at all.
The questions that this sword inspired have had long-lasting effects on the course of my continuing academic study and interest in the middle ages, and it is still an inspiration to me today.
Title
A name given to the resource
A Sword From Italy by Way of Alexandria
Identifier
An unambiguous reference to the resource within a given context
sword-from-italy
Armed Forces
Cultural Exchange
Cultural History
History
Italy
Material Culture
Medieval History
Metropolitan Museum of Art